Sprüth Magers Berlin London
Catalogs and Books


2014 Weiss, J., Davies, C.: ‘Robert Morris: Object Sculpture, 1960 – 1965’, Yale University Press.

2013 Bryan-Wilson, J.: ‘Robert Morris’, MIT Press, Massachusetts.

2011 Iles, C., Duncan, D., Manes, C.: ‘Films and Videos by Robert Morris’, Serralves, Portugal.

2011 Morris, R.: ‘1934 and before’, Leo Castelli, New York.

2010 Hernandez-Navarro, M.A.: ‘Robert Morris’, Arte Hoy, Mexico.

2010 Morris, R.: ‘Uwagi o rzezbie Teksty’, Muzeum Sztuki w Lodzi, Lodzi, Poland.

2010 Weiss, J.: ‘Robert Morris: Untitled (Scatter Piece) 1968-69’, Leo Castelli, New York.

2009 Stella, R., Dieter, D.: ‘See this Sound’, Verlag der Buchhandlung Walther König, London.

2008 Morris, R.: ‘Have I Reasons: Work and Writings, 1993-2007’, Duke University Press, Durham.

2007 von Marlin, Constanze: Public-Art-Space. Zum Öffentlichkeitscharakter der Minimal Art. Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt und Robert Morris. Weimar.

2003 DaimlerChrysler AG (ed.): Private Corporate II. Werke aus der Sammlung DaimlerChrysler und aus der Sammlung Illeana Sonnabend. Ein Dialog. DaimlerChrysler Contemporary, Berlin.

2003 Riese, Ute (ed.): New Abstract Painting. Painting Abstract Now. Abstraktionen in der neuen Malerei, Museum Morsbroich, Leverkusen.

2002 Minimalism and After. Neuerwerbungen. DaimlerChrysler Contemporary, Berlin.

1996 Kirkpatrick, Gail B.: Tanztheater und bildende Kunst nach 1945. Eine Untersuchung der Gattungsvermischung am Beispiel der Kunst Robert Rauschenbergs, Jasper Johns’, Frank Stellas, Andy Warhols und Robert Morris’ unter besonderer Berücksichtigung ihrer Arbeiten für das Tanztheater Merce Cunninghams’, Würzburg.

1995 Fineberg, Jonathan: Art Since 1940 - Strategies of Being, Prentice Hall, Englewood Cliffs.

1994 Krauss, Rosalind, Maurice Berger and David Antin (eds.): Robert Morris The Mind/Body Problem, The Solomon R. Guggenheim Museum, New York.

1993 Thomson, John, William Tucker and Yehuda Safran, Gravity and Grace (eds.)

The Changing Condition of Sculpture 1965- 1975, The South Bank Center, London.

1993 Bonito Oliva, Achille, Laura Cherubini and Maria Grazia Tolomeo Speranza: Tutte Le Strade Portano a Roma? Edizioni Carte Segrete, Roma.

1993 Celant, Germano, Paolo Fossati, Alberto Papuzzi: Un’Aventura Internazionale: Torino e Le Arti 1950-1970, Castello di Rivoli, Museo d’arte contemporanea, Torino.

1993 Rosenthal, Norman, Arthur C. Danto and Douglas Tallack: American Art in the 20th Century: Painting and Sculpture 1913-1993, Munich.

1993 Robert Morris Felt, Akira Ikeda Gallery, Taura.

1993 Wood, Paul, Francis Francina, Jonathan Harris, Charles Harrison: Modernism in Dispute: Art since the Forties, Yale, The Open University, New Haven, London.

1992 Leigh, Christian, Marc J. Straus: Quotations, The Aldrich Museum of Contemporary Art, Ridgefield.

1990 Sultan, Terrie, Barbara Rose, Robert Morris: Inability to Endure or Deny the World, The Corcoran Gallery of Art, Washington.

1989 Karmel, Pepe, Maurice Berger, Thomas W. Sokolowski, Robert Morris: The Felt Works, Grey Gallery and Art Center, New York University, New York.

1989 Berger, Maurice: Labyrinths. Robert Morris, minimalism and the 1960s, New York.

1989 Yau, John, Repetition, Hirschl & Adler Modern Art, New York.

1988 Celant, Germano, Fernado Huici: Arte Minimal. Coleccion Panza, Centro de Arte Reina, Sofia, Madrid.

1987 Coleccion Sonnabend, Centro de Arte Reina Sofia, Madrid.

1986 Claus, Jürgen: Kunst heute. Personen-Analysen-Dokumente, Frankfurt on the Main.

1986 Amerikanische Zeichnungen 1930-1980, Städtische Galerie im Städelschen Kunstinstitut, Frankfurt on the Main.

1986 An American Renaissance: Painting & Sculpture Since 1940, Museum of Art, Ft. Lauderdale, Fort Lauderdale.

1986 Directions 1986, publication for The Hirshhorn Museum and Sculpture Garden by the Smithsonian Institution Press, Washington.

1986 Memento Mori, Centro Cultural/Arte Contemporanea, Fundation Cultural Televisia, Mexico City.

1984 Endgame-Strategies of Postmodernist Performance, essay by Maurice Berger, Hunter College Art Gallery, New York.

1984 Sally Yard: The Shadow of the Bomb, Mount Holyoke College Art Museum, South Hadley.

1982 Anselmo, Giovanni (ed.): Arte povera, antiform: sculptures 1966-1969, Centre d’Arts Plastiques Contemporains de Bordeaux.

1971 Compton, Michael (ed.): Robert Morris, Tate Gallery, London.

1970 Tucker, Marcia: Robert Morris, Whitney Museum of American Art, New York.


Articles and Statements by Robert Morris


2015 Cataluccio, F.M.: ‘Labirinti’, Inventario, No. 10, June 2015, pp.134, 136-137, 147-148.

2015 Meixner, C.: ‘Muscheln im Glas’, Der Tagesspiegel, No. 22021, 19 April 2014, p.26.

2015 Meyer, J.: ‘S, M, L, XL – Museum of Contemporary Art’, Artforum International, Vol. 53, No. 9, May 2015, p.189.

2015 Strange, R.: ‘Lynda, Robert, Amy, Enzo und die Anderen’, Frieze d/e, No. 19, May 2015, pp.120-121.

2014 O’Neill-Butler, L.: ‘Virginia Dwan’, Artforum, online, 11 February 2014.

2014 Weiss, J.: ‘Eternal Return: Jeffrey Weiss on Robert Morris’s Recent Work’, Artforum International, Vol. 52, No. 6, February 2014, pp.174-181.

2013 Blackwood, J.: ‘Robert Morris at Sprüth Magers’, Articula: a blog following the London art scene, 2 May 2013.

2013 Philips, S.: ‘RA Magazine’s pick oft he week’s art events’, RA Magazine Blog, online, 03 May 2013.

2013 Stolz, G.: ‘Founding the Expanded Arts’, Art Review, Vol. 65, No. 9, December 2013, p.143.

2013 Wiley, C.: ‘Ends of the Earth: Land Art to 1974’, Frieze, No. 152, January – February 2013, p.155.

2013 Winant, C.: ‘Materializing Six Years’, Frieze, No. 153, March 2013, p.150.

2013 Textile Fäden, die in neue künstlerische Räume führen’, Zeitkunst, November 2013, p.3.

2012 Bernard, P.: ‘Morris Schizophone’, Volume, No. 4, March – September 2012, pp.96-104.

2012 Foster, H.: ‘Critical Condition: Hal Foster on Criticism Then and Now’, Artforum, Vol. 51, No. 1, September 2012, pp.147-148.

2012 Karich, S.: ‘Anbau ist Umbau ist Beständigkeit’, Frankfurter Allgemeine Zeitung, No. 138, 16 June 2012, p.39.

2012 Prince, M.: ‘Robert Morris: Sprüth Magers, Berlin’, Frieze, No. 147, May 2012, p.226.

2012 Ruthe, I.: ‘Bleierner Stuhlkreis mit Erik Satie’, Berliner Zeitung, No. 44, 21 February 2012, p.21.

2012 Schlaegel, A.: ‘Alles in Unordnung’, Spike, No. 31, Spring 2012, p.122.

2012 Madison Madman, The Flesh, No. V, 1 July 2012, pp.12-21. First published in Planet Magazine, 1 August 1995.

2011 Aulich, B.: ‘Im Museum wird getanzt’, Neue Westfälische, 19 July 2011.

2011 Borcherdt, G.: ‘Happy Birthday, Robert Morris!’, artnet.de, 9 February 2011.

2011 Häntschel, J.: ‘Qualifiziert für Explosionen und chemische Sümpfe’, Süddeutsche Zeitung, No. 32, 9 February 2011, p.12.

2011 Karich, S.: ‘Wie der Filz zu Boden fällt’, Frankfurter Allgemeine Zeitung, No. 31, 7 February 2011, p.30.

2010 Bochynek, M.: ‘Schmusekurs für überstrapazierte Sinne’, Kölner Stadtanzeiger Online, 18 February 2010.

2010 Coles, A.: ‘Robert Morris’, Art Monthly, May 2010, p.23.

2010 Davies, L.: ‘Who, What, Why’, AnOther Magazine Issue, online, 11 Novemver 2010.

2010 Fricke, C.: ‘Die Welt in sich hineinlassen’, Handelsblatt, No. 45, March 2010, p.68.

2010 Heinevetter, N.: ‘Mit Konzept: Blind Drawings und Bilddokumente’, Zeit Online, 11 November 2010.

2010 Hunt, A.: ‘Robert Morris’, Frieze, No. 133, September 2010, pp.146-147.

2010 Pincus-Witten, R.: ‘Robert Morris – Leo Castelli Gallery’, Artforum Reviews, XLVIII, No. 9, May 2010, p.249.

2009 Titz, Susanne / Krümmel, Clemens: ‘Robert Morris. Bemerkungen zur Skulptur‘, Zurich: JRP Ringier / Dijon: Les presses du réel.

2008 Grant, Simon: ‘Interview: Robert Morris‘, Tate Etc., issue 14, Autumn.

2008 Tsouti-Schillinger, Nena: ‘Robert Morris. Have I Reasons: Work and Writings, 1993-2007‘, Durham: Duke University Press.

2005 Notes on Less than‘. In: ‘Robert Morris: Less than, in: Robert Morris: Notes on Less than’, Prato: Gli Ori, Prato Commune di Reggio Emilia.

2003 From a Chomskian Couch: The Imperialistic Unconscious, Critical Inquiry, vol. 29, pp. 678-694.

2003 Solecisms of Sight: Specular Speculations, October, no. 103, Winter, pp. 31-49.

2001 Threading the Labyrinth, October, vol. 96, Spring, pp. 61-70.

2001 Im Zeichen der Schwerkraft. Nicht nur ein Minimalist: Der amerikanische Künstler Robert Morris wird siebzig. In: Frankfurter Allgemeine Zeitung, Feuilleton, 9 February, no. 34, p. 44.

2000 Bauen und Stellen. Performance nach Robert Morris. In: Süddeutsche Zeitung, 28 February, Feuilleton.

1998 Nabakowski, Gislind: Irrgänge im Labyrinth. Fluxus, Robert Irving und Robert Morris im Zeitgenössischen Museum in Lyon. In: Süddeutsche Zeitung, 2 September.

1990 What did the Guggenheim Gain: Minimalism Revisited. In: The Journal of Art, October, p. 28.

1989 Three Folds in the Fabric and Four Autobiographical Asides as Allegories (Or Interruptions). In: Art in America, November, p.142-151.

1981 American Quartet. In: Art in America, December, p.92-104.

1978 The Present Tense of Space. In: Art in America, January/February, p.70-81.

1975 Aligned with Nazea. In: Artforum, October, p.26-39.

1973 Some Splashes in the Ebb Tide. In: Artforum, February, p.42-44.

1972 Interview with Achille Bonito Olivia. In: Domus, November, p.43/44.

1972 Interview with L. Picard. In: Kunstwerk, vol. 25, March, p.3-13.

1971 The Art of Existence. Three Extra Visual Artists: Work in Process. In: Artforum, January, p. 28-33.

1970 Some Notes on the Phenomenology of Making: The Search for the Motivated. In: Artforum, April.

1969 Notes on Sculpture, Part IV. In: Artforum, vol.7, April, p. 50-54 (PartsI, II, III also reprinted in Battock-Minimal Art).

1969 Statement. In: Art Now, New York, 1/6, June.

1968 Anti-Form. In: Artforum, vol. 6, April, p. 33-35.

1968 Interview met Robert Morris (an interview with Wijers Louweien). In: Museumjournaal, Serie 13, no.4, p.14.

1967 A Method for Soring Cows. In: Art and Literature, 11, Winter, p.180.

1967 Notes on Sculpture, Part III. In: Artforum, vol. 5, June, p.24-292.

1967 Portfolio: 4 Sculptors. In: Perspecta (The Yale Architectural Journal), no.11, p. 44-53.

1966 Notes on Sculpture. In: Artforum, vol. 4, February, p. 42-44.

1966 Dance. In: The Village Voice, Part 1, 3 February, p. 8, 24-25; Part II, 10 February, p.15.

1966 Notes on Sculpture, Part II. In: Artforum, vol. 5, October, p. 20-23.

1966 Master’s thesis on Constantin Brancusi, Hunter College, New York.

1965 Notes on Dance. In: Tulane Drama Review, X/2, Winter, p.179-186.