Sprüth Magers Berlin London

2013 Halpern, Tamar / Quilty, Chris: ‘Llyn Foulkes: One Man Band’, Kino Lorber, 88 min.

Oral histories

1997–98 Karlstrom, Paul: Oral history interview with Llyn Foulkes, June 25, 1997–December 2, 1998, Archives of American Art, Smithsonian Institution.

2010 Morishita, Emily / Singh, Rani / Wolf, Julie: Oral history interview with Llyn Foulkes for Modern Art in Los Angeles project, December 15, 2010, Getty Research Institute, Los Angeles, Video recording (DVD).

Books and catalogues

2016 Savig, Mary (ed.): ‘Pen to Paper: Artists' Handwritten Letters from the Smithsonian's Archives’, New York: Princeton Architectural Press, pp. 68–69 (ill).

2015 Hackman, William: ‘Out of Sight: The Los Angeles Art Scene of the Sixties’, New York: Other Press.

2014 Fallon, Michael: ‘Creating the Future: Art and Los Angeles in the 1970s’, Berkeley, CA: Counter Point, pp. 106, 246–250, 254, 269, 338 (ill).

2013 Bourgeois, Caroline: ‘A Triple Tour: Collection Pinault’, Paris: Editions du Patrimoine, pp. 98–109 (ill).

2013 Govan, Michael / Bourgeois, Caroline: ‘Prima Materia’, Milan: Electa.

2013 Subotnick, Ali / Lewis, Jim / Weiss, Jason: ‘Llyn Foulkes’, Los Angeles: Hammer Museum; Munich, London, New York: Delmonico Books and Prestel.

2012 Christov-Bakargiev, Carolyn: ‘Documenta 13: Das Begleitbuch / The Guidebook; Katalog / Catalog 3/3’, Ostfildern, Germany: Hatje Cantz.

2012 Duncan, Michael: ‘L.A. Raw: Abject Expressionism in Los Angeles 1945–1980, from Rico Lebrun to Paul McCarthy’, Pasadena: Pasadena Museum of California Art, pp. 18, 68–71, 82, 126, 137, 190–191 (ill).

2012 Joyce, Julie: ‘Pasadena to Santa Barbara: A Selected History of Art in Southern California, 1951–1969’, Santa Barbara, CA: Santa Barbara Museum of Art.

2011 Bancroft, Sarah C.: ‘Two Schools of Cool’, Newport Beach, CA: Orange County Museum of Art; Los Angeles: Fellows of Contemporary Art.

2011 Drohojowska-Philp, Hunter: ‘Rebels in Paradise: The Los Angeles Art Scene and the 1960s’, New York: Henry Holt and Company, pp. xiv, xvii, 43, 74, 134, 152, 154, 181.

2001 Drohojowska-Philp, Hunter:‘Llyn Foulkes: Bloody Heads’, New York: Kent Fine Art.

2011 Mark, Lisa Gabrielle / Schimmel, Paul (eds.): ‘Under the Big Black Sun: California Art, 1974–1981’, Los Angeles: Museum of Contemporary Art; Munich: DelMonico Books • Prestel.

2011 Peabody, Rebecca / Perchuk, Andrew / Phillips, Glenn / Singh, Rani: ‘Pacific Standard Time: Art in Los Angeles, 1945–1980’, Los Angeles: Getty Research Institute and the J. Paul Getty Museum, pp. 78–80, 98–101, 134,138–139 (ill).

2010 Kienholz, Lynn: ‘L.A. Rising: SoCal Artists before 1980’, Los Angeles: California International Arts Foundation, p. 188.

2009 McKenna, Kristine: ‘The Ferus Gallery: A Place to Begin’, Gottingen, Germany: Steidl, pp. 42–43, 105, 220, 250–253, 257.

2009 Subotnick, Ali: ‘Nine Lives: Visionary Artists from L.A. Los Angeles’, Hammer Museum, cover, pp. 14–29.

2008 Colburn, Bolton / Linton, Meg / Williams, Robert: ‘In the Land of Retinal Delights: The Juxtapoz Factor’, Laguna Beach, CA: Laguna Art Museum

2008 Nittve, Lars / Essling, Lena (eds.): ‘Time and Place: Los Angeles, 1957–1968’, Stockholm: Moderna Museet; Göttingen, Germany: Steidl.

2007 Carson, Joanne / Schaming, Corinna Ripps: ‘Mr.
President’, Albany: University Art Museum, University at Albany, State University of New York.

2007 Foulkes, Llyn: ‘Llyn Foulkes’, New York: Kent Gallery.

2006 Crawford, Holly: ‘Attached to the Mouse: Disney and Contemporary Art’, Lanham, MD: University Press of America, pp. 184–186.

2006 Grenier, Catherine (ed.): ‘Los Angeles, 1955–1985: Birth of an Art Capital’, Paris: Centre Pompidou.

2006 Selz, Peter: ‘Art of Engagement: Visual Politics in California and Beyond’, Berkeley: University of California Press; San Jose: San Jose Museum of Art, pp. 21, 66–68 (ill).

2006 Whiting, Cécile: ‘Pop L.A.: Art and the City in the 1960s’, Berkeley and London: University of California Press, pp. 21–59.

2005 Drucker, Johanna: ‘Sweet Dreams: Contemporary Art and Complicity’, Chicago and London: University of Chicago Press, pp. 91–93 (ill).

2005 Duncan, Michael / McKenna, Kristine: ‘Semina Culture: Wallace Berman and His Circle’, New York: DAP; Santa Monica: Santa Monica Museum of Art, pp. 142–145, 129, 332, 339, 345, 349, 350, 354, 356 (ill).

2000 Barron, Stephanie / Bernstein, Sheri / Fort, Ilene Susan: ‘Made in California: Art, Image, and Identity, 1900–2000’, Los Angeles: Los Angeles County Museum of Art; Berkeley: University of California Press.

2000 Fuglie, Gordon L.: ‘Representing LA: Pictorial Currents in Southern California Art’, Seattle: Frye Art Museum.

1999 Belloli, Jay: ‘Radical Past: Contemporary Art and Music in Pasadena, 1960–1974’, Pasadena, CA: Armory Center for the Arts and Art Center College of Design.

1997 Klein, Norman M.: ‘The History of Forgetting: Los Angeles and the Erasure of Memory’, New York: Verso Books, p. 88.

1997 Nittve, Lars / Crenzien, Helle: ‘Sunshine and Noir: Art in L.A., 1960–1967’, Humlebaek, Denmark: Louisiana Museum of Modern Art.

1995 Knode, Marilu: ‘Llyn Foulkes: Between a Rock and a Hard Place’, Los Angeles: Fellows of Contemporary Art; Laguna Beach, CA: Laguna Art Museum.

1994 ‘Of the Human Condition: Hope and Despair at the End of the Century’, Tokyo: Wakōru Āto Sentā.

1992 Desmarais, Charles: ‘Proof: Los Angeles Art and the Photograph 1960–1980’, Los Angeles: Fellows of Contemporary Art; Laguna Beach: Laguna Art Museum, pp. 40–43 (ill).

1992 Schimmel, Paul: ‘Helter Skelter: L.A. Art in the 1990s’, Los Angeles: Los Angeles Museum of Contemporary Art.

1991 ‘Individual Realities in the California Art Scene’, Tokyo: Sezon Museum of Art.

1991 Tomidy, Paul: ‘De-Persona’ Oakland: Oakland Museum.

1990 Weinberg, Adam: ‘Real Allusions’, New York: Whitney Museum of American Art.

1989 Ayres, Anne (ed.): ‘Forty
Years of California Assemblage’, Los Angeles: Wight Art Gallery, University of California.

1989 Ayres, Anne (ed.): ‘LA Pop in the Sixties’, Newport Beach, CA: Newport Harbor Art Museum.

1987 Friis-Hansen, Dana: ‘L.A. Hot and Cool’, Cambridge: List Visual Arts Center, Massachusetts Institute of Technology.

1987 Selz, Peter: ‘Llyn Foulkes: The Sixties’, New York: Kent Fine Art.

1987 Stich, Sidra: ‘Made in U.S.A.: An Americanization in Modern Art, the '50s & '60s’, Berkeley, Los Angeles, London: University of California Press, pp. 170–172 (ill).

1986 Hopper, Dennis / McClure, Michael: ‘Dennis Hopper: Out of the Sixties’, Pasadena, CA: Twelvetrees.

1986 Newland, Joseph (ed.): ‘NO! Contemporary American Dada’, Seattle: Henry Art Gallery, University of Washington.

1986 Perine, Robert: ‘Chouinard,
an Art Vision Betrayed: The Story of the Chouinard Art Institute, 1921–1972’, Encinitas, CA: Artra.

1986 Siff, Elena: ‘Southern California Assemblage: Past and Present’, Santa Barbara, CA: Santa
Barbara Contemporary Arts Forum.

1985 Larsen, Susan C.: ‘Sunshine
and Shadow: Recent Painting in Southern California’, Los Angeles: Fellows of Contemporary Art.

1985 Larsen, Susan C.: ‘Llyn Foulkes: Portraits’, Santa Barbara, CA: Santa Barbara Contemporary Arts Forum.

1981 Ball, Maudette W.: ‘Southern California Artists, 1940–1981’, Laguna Beach, CA: Laguna Beach Museum of Art.

1979 Smith, Robert / Wilhite, Robert: ‘Sound: An Exhibition of Sound Sculpture, Instrument Building, and Acoustically Tuned Spaces’, Los Angeles: Los Angeles Institute of Contemporary Art.

1977 Bann, Stephen: ‘Llyn Foulkes: ‘New Works 1976–77’, New York: Gruenebaum Gallery.

1976 Turnbull, Betty: ‘The Last Time I Saw Ferus, 1957–1966’, Newport Beach, CA: Newport Harbor Art Museum.

1974 Foulkes, Llyn: ‘Llyn Foulkes: Fifty Paintings, Collages and Prints from Southern California Collections: A Survey Exhibition, the Years, 1959-1974’, Newport Beach, CA: Newport Harbor Art Museum.

1974 Plagens, Peter: ‘Sunshine Muse: Contemporary Art on the West Coast,’ New York: Praeger.

1970 Selz, Peter: ‘American Painting, 1970’, Richmond, VA: Virginia Museum of Fine Arts.

1969 Cowles, Charles: ‘Young Artists from the Collection of Charles Cowles’, Ridgefield, CT: Aldrich Museum of Contemporary Art, unpaginated (ill).

1967 ‘São Paulo 9, United States of America: Edward Hopper / Environment U.S.A., 1957–1967’, Washington, DC: Smithsonian Institution Press.

1965 Tuchman, Maurice: ‘Five Younger Los Angeles Artists: Tony Belant, Melvin Edwards, Llyn Foulkes, Lloyd Hamrol, Philip Rich’, Los Angeles: Los Angeles County Museum of Art.

1964 ‘Llyn Foulkes’, Oakland: Oakland Art Museum.